Argus is a font inspired by the company of its namesake logotype but morphed into something much more, which combines to form an oddly attractive combination of Art Deco and futuristic sensibilities.

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Campfires is an eclectic and rustic new display face with surprising versatility, legibility and space economy for text usage.

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Cassette is a typeface which resulted from a custom type experiment for a guitar pedal, which was then expanded. The typeface started as a simple fill typeface, but came alive with the addition of the through lines.

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Cluster is a Modern, Angular Blackletter Typeface and Font With Caps, Lowercase, and True Small Caps and not a single curve. The reason is less out of principal and more toward the goal of cohesion.

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Escape started out as an all caps font that I completed within a couple hours one day, to, as the name expresses, escape the frustration and anger that crop up occasionally as a creative who feels hamstrung by their own thoughts. View Font

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FRANCHISE is a powerful display typeface meant to communicate rapidly and with power without compromising style. And now, with lowercase characters and oblique, the font is one of the more versatile fonts you'll find.

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Glyphic is a rollercoaster ride of typographic style, with forms seeming to change their mood from ultra-serious to absurdly playful if you blink your eyes. View Font

Norse is a harsh, heavy display typeface that finds its home equally well with a sports franchise as it does with a brewery, imbued with a dash of Scandinavian stylization.

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Popup is a fun, child-like typeface done right, with way more features than necessary! It is inspired by a small word mark found in a Space Cowboy popup book, as evidenced by the corresponding imagery.

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Ray Gun is a font inspired by the fantastical, timeless lettering on decades’ worth of toy space weapons. The shapes mostly share the DNA of a moving geometrical formula, but with the occasional flare of a dip below the base line (a literal line in this case) or acrobatic curve. View Font

River Ranch is a font that defies an exact specification, given that its characteristics are a mash-up of Victorian embellishment and hints of Frontier swagger. View Font

Spellcaster is designed to allow for versatility in tone, always adding character and attitude, but working as suitably in a turn-of-the-century styled poster is it does in branding a magic show.

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Developed out of a desire for my own workhorse text face & also taking cues from my display type inklings, my eponymous font can do a lot very credibly. View Font

The latest addition to my type library is a font which I couldn’t have imagined 3 weeks ago, but boy am I glad that I made it. Much like the original Weathersbee font staple, Franchise, it can play an outrageous number of typographic roles. View Font

I’ve been doing some deep diving into the strange font ventures of William Morris. So naturally, I decided to create my own interpretation of his pretty darned ugly Roman face. The font is actually “ugly” in many good ways.

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